Richard Wright dies at 65; founding member of Pink Floyd

Los Angeles Times

Richard Wright, the founding member of Pink Floyd whose piano and synthesizer work played a critical part in the pioneering British psychedelic rock band's ethereal sound, died Monday after a short battle with cancer, his spokesman said. He was 65.

Doug Wright, who is not a relative, said Wright died at his home in England and that his family did not wish to release any more information, the Associated Press reported.

Wright never achieved the high public profile of the group's three key figures -- founding singer-guitarist Syd Barrett and the often-feuding co-leaders, singer-bassist Roger Waters and singer-guitarist David Gilmour, who joined shortly before Barrett left in 1968.

Warner Music reorganizes top tier

Variety

Citing the radical changes in the music biz since its 2004 launch as a stand-alone company, Warner Music Group announced a major management restructuring Tuesday.

The company created an office of the chairman and upped Lyor Cohen and Michael D. Fleisher to vice chairmen. In the restructuring, Warner Music Intl. chairman and chief exec Patrick Vien is ankling.

Cohen will also be chairman and CEO of recorded music in the U.S. and U.K. Cohen had been leading WMG's U.S. recorded music operations.

Fleisher has been WMG’s exec VP and CFO since January 2005. He helped take the company public in May 2005 and established its finance, investor relations and IT areas.

Steven Macri, WMG’s senior VP and global controller, has been named exec VP and CFO.

Metallica tries to revive classic sound on 'Death Magnetic'

Chicago Tribune

In the last decade, Metallica has had a few image problems. They had run-ins with Napster and fans who were downloading their music, then they battled with each other and fired their bass player. Once metal innovators, they became parodies of bloated, past-their-prime rock stars in the "Spinal Tap"-like 2004 documentary "Some Kind of Monster."

With its scenes of petty in-fighting, group therapy, and champagne-sipping extravagance, "Monster" exposed a band that had lost touch with everything that had once made it great.

"Death Magnetic" (Warner), the band’s first studio album in five years and the ninth in its 25-year career, tries to rehabilitate the band’s image by explicitly referencing its late ‘80s Golden Age.